Gradually the visual and poetic interventions mislead, the subject is today, the oblivion, the erasing of collective memory, the shuffling of facts and myths – fake news.
Pedro Alexandre Sanches. Carta Capital.
Camozzi conquers the audience with his provocative and fluid speech.
Dirceu Alves. Revista Veja.
Void brings the power structures to discussion.
Fernando Pinto. Site Medium.
As in the daydreams we lose ourselves, in its own movement, we wander, we ramble.
Ricardo Muniz Fernandes. Editor N-1 edições.
VOID is a solo with Italian artist Alvise Camozzi, who directs the show alongside Beatriz Sayad. Written by Camozzi and Letizia Russo, the prismatic narrative of the show embraces the different narratives that make up the Cesium 137 case, a radioactive disaster that broke out in Goiânia in 1987, still considered the largest radiological accident in the world outside the nuclear power plants.
The overlap of fictional narratives with the documents from the time, provoke the spectator and lead him to rethink the process of sedimentation and delition of collective memories, as well of people's sensitivity in face of reality perception. Strongly imagistic, both soudwise (Daniel Maia's compositions) and visually (Hideki Matsuka's scenery and Guilherme Bonfanti's light design), the first season of the show was in December 2018, at Sesc São Paulo (Paulista Avenue).
Show duration: 1h 20m
Tour team: 4